By Robin Landa
John Wiley & Sons, 2004, ISBN: 978-0-471-42897-8

Advertising_By_Design

Available on amazon.com


Advertising by Design is a complete guide to conceiving and designing effective, creative advertising. This full-color text provides a highly illustrative, behind-the-scenes look at developing successful ads and integrated ad campaigns for a variety of media—including print, television, interactive, and guerrilla. Advertising by Design encourages the reader to develop big ideas and push past obvious design choices. Dozens of celebrated ad campaigns demonstrate creative solutions. Fully supplemented with interviews from esteemed creative directors with chapters on developing imaginative ideas, copywriting, and advertising history, Advertising by Design is the perfect text for aspiring art directors, graphic designers, and copywriters.

 

Foreword by Paul Renner, Creative Director at Arnold Worldwide

 

Table of contents:

 

Introduction

 

Part One: Informing, Persuading, and Provoking

How Advertising Works

 

Chapter 1: A Brief History of Advertising

In the Very Beginning

The Art of Advertising: Theories and Media

The Creative Revolution

Showcase: George Lois

Showcase: Lou Dorfsman

Showcase: Allan Beaver

Showcase: Smokey Bear Public Service Campaign

Showcase: "I LOVE NEW YORK" Campaign

 

Chapter 2: The Biz: Structure, Strategy, and the Creative Brief

What Is Advertising?

The Ad Agency

Who Is the Audience?

Types of Ads

The Creative Brief

Sample Creative Brief from The Richards Group/Dallas

Case History: Mustoes/London

Insights and Intuition

Ethics

 

Part Two: What‘s The Big Idea?

Formulating an Advertising Concept

 

Chapter 3: Thinking Critically and Creatively, and Getting Started

Thinking Critically and Creatively

Getting Started

The Creative Team

Brainstorming Technique

What Makes an Ad

Ingredients That Go into an Ad

Design, Execution, and Media

Critique Guide

Critique Method

 

Chapter 4: The Big Idea

Points of Departure: Where Do Big Ideas Come From?

Visual Analogy

Visual Metaphor

Life Experience

Eccentric Points of View

The Problem Is the Solution

A Darned Good Reason

Comparison

Exaggeration

Authenticity and Being First in Its Class

Motivation and Inspiration

Just the Facts, Ma'am

Interview: Bob Isherwood

 

Chapter 5: Ad Categories

Demonstrations

Endorsements and Testimonials

Declarations

Slice of Life

Meta-Advertising

Popular Culture

Fantasy

Misdirection

Image or Lifestyle

Adventures and Escapes

Benefits and Differentiation

Recognition

 

Chapter 6: Expression: Make ’Em Laugh, Make ’Em Cry

Humor

Satire, Parody, and Irony

Passion, Lust, and Desire

Triumph

Respect and Value

Pathos and Compassion

Fear

Shock and Changing Our Expectations

Association

Interview: John Butler, Executive Creative Director, Butler, Shine and Stern

 

Part Three: The Visual and Verbal Expression of an Idea

Design and Copy

 

Chapter 7: Graphic Impact: Design Principles

The Design Process

Composition: Critical Principles of Design

Format

Balance

Positive/Negative Shapes and Space

Visual Hierarchy

Unity and Variety

Rhythm

Types of Compositions

Illusion

 

Chapter 8: The Design of Advertising and Expressive Typography

The Design of Advertising

Audience and Appropriateness

It Shouldn't Look Like Advertising

Size of Logo/No Logo

Layout

Copy as Sales Pitch

Text and Subtext

Size and Media

Design Pointers to Follow (and Sometimes Ignore)

The Seamless Concert: Type and Image

Interview: Erik Kessels, Creative Director, KesselsKramer, Amsterdam

 

Chapter 9: Flexibility: The Ad Campaign and Creativity

Designing Print Campaigns

Creativity

 

Chapter 10: Copy

What Comes First—the Line or the Visual?

Visual and Words: How Should They Work Together?

Visual or Words: Which Should Dominate?

How Many Words Are Too Many?

Conventions

Writing Creatively

Say It in the Line—Don't Rely on the Body Copy

It's Established in the Claim

The "Do I Sound Like a Sales Pitch?": Test

The "Do I Sound Like Something No One Would Ever Say to Anyone Else?" Test

Intention

Whose Voice Is It?

Process

Style

Feed Your Writing

Interview: Valerie Graves, Creative Director, Uniworld

Interview: Guido Heffels, Creative Director, Heimat, Berlin

 

Chapter 11: Beyond Print Media: Television Commercials, Interactive Media, and Guerilla Advertising

Television

Interactive Media

Guerilla Advertising: Unconventional Methods and Media

Bibliography

 

Features: